No Moeraki Boulders in Kings Garden

No Moeraki Boulders in Kings Garden

There are no Moeraki boulders in Kings Garden in Copenhagen. They are round stones however only half the size of a real Moeraki boulder. Everyday for the last 7 years I have walked through Kings Garden to get to work. Until a year ago the stones were just round stones to me, but then I started to prepare a long vacation in New Zealand. Along with that, came the knowledge of the Moeraki Boulders. Ever since I have been to the Moeraki beach, these round stones, though only half size, reminds me with great joy of New Zealand. Oh what a wonderful place – I want to go there once more!

About the photo

This is a 5 shot HDR from -2 to +2. The sun I have placed in the leaves, to take some of the strength out of it and then I used a 5 inch tall tripod to get close to the ground. That makes the boulder look quite large and gives the viewer a feeling of 3D in the photo.

About the processing

I processed this in Photomatix and then blended the layers in Photoshop to get rid of nasty halos in the sky (see my too tutorial on blending layers). I wasn’t quite satisfied with the result and have had the photo lying around for some months, without a fixed solution. But then the other day I picked it up again. I added a shadow to the stone, adjusted the light about in the leaves, in particular in the right hand corner. For some reason they kept coming out too black. What I have found out in the mean time, is to use the Dodge and Burn tools in Photoshop. The Dodge tools makes things brighter, where ever you paint, and the Burn tool makes things darker. In this case I used the Dodge tool to brighten the leaves. What’s cool is that, I specify to make the shadows brighter, and then it will leave the bright sky untouched, and that really worked, and I got green leaves instead of black.

Rembrandt Plein

Rembrandt PleinI went to Amsterdam on a business trip in september. One day I got up at 3.30 and walked all the way in from a hotel near by the airport to the center of Amsterdam. I hit the harbor when the sun rose – I have shown one shot from the Amsterdam Maritime History Museum. I took around 1000 shots for HDR that morning. In the beginning it was pitch dark and I had the camera on ISO 400. When the light grew brighter I changed the ISO to 100. I have had a hard time getting satisfied with many of the shots, but I have found that it has to do with getting the right mood in the processing and not as much the photos. This particular one is from ‘the way back’

How did I make this photo?

The photo is shot with a wide angle lens close to the ground. A wide angle lens is great, because it is sharp from very close up and all the way out to the horizon. When I came home and looked at this photo, the great sunlight at the end of the tunnel of trees didn’t come out so well. I have had the photo lying around for half a year, trying a few things, but not managing to achieve the mood from that morning. Finally I figured out, that a soft yellow light at the end of the tunnel of trees had been present, and that it had almost disappeared in the shots. So I emphasized it and that really brought the photo together.

Shoe Boat

Shoe Boat

I guess it’s no surprise that Amsterdam has all these lovely canals. You find house boats, construction boats and just small boats for cruising around in the canals. The yellow shoe shaped boat is one of the more spectacular ones I found.

About the processing

It’s a 5 shot HDR, that I processed with Photomatix. Nothing unusual there. Then I blended layers in Photoshop, to remove a little ghosting in the trees, not much there though. The photo still didn’t really pop the way that I had hoped. I had managed to get a not very pretty handle of bicycle in the lower part of the photo. In the end I decided on this cinematic format, cutting away the handle. The other thing I did like, was the hanging bowl of flowers, so I decided not to emphasize that too much.  I focused on the small Shoe shaped boat and the sun rays in the far end. Those I processed to be emphasized. The boat was a bit dark, I made it more light and the sun rays I emphasized using burn and dodge tools.

Peaceful Sunrise At Milford Sound

Peaceful Sunrise At Milford Sound

One of the most beautiful and dramatic fiords lies on the the west coast of New Zealands South Island. The sun rises and shines on Mitre Peak, which rises an amazing almost 1700 m straight out of the water, which I was told was the record. The weather changes a lot in Milford Sound and seeing it without a cloud is a rare experience. It rains up to 11 meters (!) per year here, which is makes this place one of the places on Earth where it rains most.

About the processing
This is 7 shot HDR photo merged together using Photomatix. I have worked a lot with the image. Created a new layer, fine tuned an area, and then blended that area into the main photo, then made another duplicated layer to optimize another area. I have used Topaz Adjust and Nik Color Efex filters with delicacy.

Cleaning up the photo
I have done a lot of cleaning up in the photo. There was a lot of dirt, leaves, insects etc in the water. This I have removed using the clone tool in Photoshop. It took some time, but it’s important to achieve the calm mood of the photo and the strong clear reflection.

Amsterdam Maritime History Museum at Dawn

Amsterdam Maritime History Museum at Dawn

After walking through Amsterdam taking nightscapes I finally arrived to the harbor, to see the sun rise behind the Amsterdam Maritime History Museum. A beautiful place, that I returned to in the evening, to attend to a cocktail party. That I didn’t know, when I took this photo.

About the processing
The photo is a 5 shot HDR. I did the tone mapping with HDR Efex Pro 2. Not a bad tone mapping tool, though I find it more detailed in Photomatix. Afterwards I did a little blending layers. Primarily to remove ghosting in the water, on the masts of the ship.

The Misty Ducks In The Pond

The Misty Ducks In The Pond

I’m getting better at stopping the car, when I see something interesting. This time I saw the mist on the pond, and the sunshine going through the mist. The car went over the curb and luckily nobody was just behind me. Kind of stupid to drive so crazy; it was in a round about, and I could just have taken another round, but I got excited. Notice how the sun shines in one tree, but not the rest.

About the composition

I placed the sun behind the tree. It gave less power from the sun. It is about an hour after sunrise, an the sun is quite strong. I used the rim of the pond as a lead in line, but also the sun coming through the mist on the lake works as a lead in line.

About the processing

This is an HDR from 9 shots with one EV step between each shot. I used Photomatix to make the tone mapped image, and then I copied all 9 original shots plus the tone mapped into Photoshop as layers. The ducks were not exactly sitting ducks, so I had to mask them in from individual images to de-ghost them. I then removed all bluish colors, giving this almost black and white look with a golden glow, and a little green grass. In the foreground I removed a ton of leaves and floating feathers from the water.

Sunrise in the Doubtful Sound

Sunrise in the Doubtful Sound

Doubtful Sound, South Island, New Zealand – bigger and much much more desolate than Milford Sound. Less dramatic though, but very very beautiful.

This is first edited in Lightroom, then exported to Photoshop, where I did a Topaz Filter and then some more adjustmens, a little noise reduction, and then back to Lightroom for the final adjustments.

EXIF: 28mm (28-300mm lens), ISO 400, f/3.5, 1/125 sec.
I used ISO 400 to keep the shutter speed fast, because is was on a moving boat and tripods was not possible. Therefore also f/3.5, which is to high normally for landscapes.

Sunrise in Trysil

Norway just is beautiful, both in the summer time and in the winter time. I caught this one last week next to the ski-resort in Trysil. It’s a 7 shot HDR and tone mapped in Photomatix and later post-processed in Photoshop.

I found this peaceful area just behind the Trysil Mountain Resort Park Inn hotel. I could walk on a path made by skis. If I went of the path, I sank to the knee.

About the composition

Finally after 4 days the clouds  cleared from the Sun and I got out take some photographs. In this one, I have got two major point of interest, one is the stone covered in snow and the other is the Sun. I have placed them approximately on one of the lines of the golden ration. Then I have used the shadows from the trees to create lead in lines. This is a neat trick that works well. And at last, I made sure that the left hand side of the snow takes up the same amount of space as the ski. That works well too.

Post-processing

The post processing is done as a tone mapped image in Photomatix, which I then took into Photoshop. I blended the layers, as I explain how to do in my HDR tutorial, and then I used a golden filter from Topaz Adjust. I had lost some of the golden light in the processing and reintroduced it. And the last things I did in Photoshop was to remove flares and a small rainbow looked too much like a flare. In Lightroom I increased the contrast a bit and the clarity to get more dynamic image.

Raft in the blue hour


From one early summer morning close to my home town. A raft sitting in last minutes before the sun comes up.

This is a 5 shot HDR. I also attached a soft grad ND 2-stop filter and a 3 stop filter to get a longer exposure time. It is a fairly clean Photomatix image, only a little Photoshop’ing to keep the boat and raft sharp.

Misty fish net

Misty fish net
This I saw after driving my son to school. I threw the car to the side of the road and got to catch this misty morning.
I have had this photo lying around for some time. I took it as a 3 shot HDR (2 ev steps), but I didn’t really work as an HDR. The light just wasn’t for HDR. Later I tried cropping away some ground and a tree to the left, leaving only the fish net. Now it started to be something. I then toned it slightly to the yellow/brown from cold grey. I did that by increasing the temperature from 5800 to 9433 in Lightroom and then the tint I added +14 to. Then I got this tranquil mood.