Colorful

The Frozen Setting Sun

The Frozen Setting Sun

The sun right into the camera? 9 exposures with 1 EV step between each. I was just on a small business trip to New York. I managed to get time to go to B&H and get myself a Promote control. For some reason I can’t buy that in Denmark. The Promote control should be a tool in every HDR photographers backpack.

The Promote control allows (through a cabel) to take as many HDR photos you like. I can then take 9 HDR photos automatically with my Nikon D600 (which is normally limited to 3 shots), just as I can with my Nikon D800. But I can also increase the EV step between each shot. The D800 is locked to 1 EV step, which means that if I really wan’t to cover some dynamic range, with the Sun within the frame and dark shadows too, I have to switch to manual. Another nasty side effect of taken 9 bracketed shots with the D800 is the 675 Mb impact on the memory card (ouch!).

With the Promote control I can take what ever number of photos I like with whatever EV step. Now that is cool, and I can’t wait to get it in use for real.

For this shot I didn’t have the Promote Control yet and took all 9 shots of 75 Mb each.

About the processing
I used Photomatix to tone map the image. Afterwards I have spend quite some time in Photoshop blending layers. The sky kept coming out dull and gray from Photomatix, so I had to mix in another sky from one of the original photos, but it was still too flat. So I made a duplicate layer and started playing around with the Red, Green and Blue channels individually in the Hue/Saturation dialog (CTRL + U) untill I got what I wanted. However, that ruined the lower part of the image completely, but that was not problem, I just mixed in the sky with the rest of the image.

Finally I spend quite a lot of time cleaning up small peckles on the ice and the bridge.

Icy Sunset at Veddelev

Icy Sunset at Veddelev

I was a bit surprised still to find the fiord covered with ice at Veddelev, but I took the advantage of it, and got some close up ice shots. This is from the blue hour after sunset.

About the processing
It is 7 exposure HDR, that I merged and tone mapped using HDR Efex Pro 2. I just got a new laptop and didn’t get Photomatix installed, before going on a business trip to the states, which has forced me into using HDR Efex Pro 2 more intensively. I’m quite satisfied with the results I have been getting, though I feel that it is a little less flexible, compared to Photomatix. While doing realistic HDR photos, it does give quite nice results.

Afterwards I did some Photoshopping. This time I didn’t blend the tone mapped image with the original images. The result from HDR Efex Pro 2 was satisfactory enough. I used a filter in Topaz, just to nudge and pop the colors and details tiny bit. I then used a soft light layer to accentuate various parts to lighten and darken various parts of the photo, by hand painting. FinallyI did some cleanup in the photo.

Pink Clouds over Lake Tekapo


Lake Tekapo in New Zealand can be very windy, which was the case this evening. The day after the surface of the lake was like glass. On the left lies Mount John covered in trees. On the the top there is an observatory and a cafe. The cafe makes really good coffee and the cakes are worth the strain to get to the top of the mountain, just as the view is very rewarding.

This is a 5 shot HDR. I tone mapped it in Photomatix and then I blended the five original shots into the tone mapped image, by using Photoshop. There is no part I have blended in 100%. The sky is blended in various degrees with the 0 and minus 1 exposure. The same goes with the rocks. The trees on the left is more or less the clean tone mapped version. In the end I used a Topaz adjust filter to add a little warmth and sharpness to the photo. This step I could have done by using adjustment layers, and Unsharp Mask in Photoshop as well.

Finally I took it into Light room and did a few adjustments. The right hand side of the trees was too dark. I added a little light by using the brush tool, and then I added little contrast global contrast.