A Moeraki Boulder

A Moeraki Boulder

On a beach on the South Island of New Zealand they have these really odd completely round boulders. The are pretty large, about 1 meter in diameter and nobody knows how they were created – one of natures small wonders, like the crawling stones in Death Valley.

About this photo

This is a 9 shot HDR. As you can see the sun is still very very bright. If I had wanted the sun to be less burned, I would have had to use an Neutral Density filter (ND-filter). An ND filter is like sunglasses for the lens. I actually did use an ND filter on the same beach, to take some shots of the moving water behind me. That slowed down my shutter speed to a few seconds making wonderful stuff to the waves.

About the composition

What I did with the composition was to merge in the Moeraki Boulder into the edge of the sand cliff, but made sure not to place it above the trees, so it merges into the edge between the sand cliff and the trees on the top of the sand cliff. That gives three repeating shapes, that looks a bit like three waves.

About the processing

I have spend a lot of time making this photo. My aim was to get something that looked Classic HDR, and I wanted a strong shadow cast by the boulder. I have used the edges of the shadow as lead in lines. The reflection in the water I made sure was bright to make a bold reflection. And the last thing I did was a lot of clean up. I have really realized how much cleaning up my photo affects the impact of the photo. I decided to clean up small rocks, leaves etc and it really became a much better photo. One of the things you have to keep in mind, when you take photos, is to keep it simple. To many things in your photo, will just confuse the viewer and it will be like noise for the viewer. Rubble, stones, leaves etc creates a noise too, so either clean up the scene before taking it or do it in Photoshop later. Try at least cleaning up in the foreground of your photo, and be amazed how it affects the impact of your photo.

Curly Tree In the Sunset

Curly Tree In the Sunset

Sometimes it’s all about shape. This tree is wonderful I think. I found it close to my home, and caught it as a silhouette just after the sun had set.

About the processing

I adjusted the white balance slightly to improve the mood of the photo, and then I darkened the shadows a bit, to get a stronger silhouette against the sky. And then I cleaned the water for various birds to get a more clean photo.

Gone – A Pseudo HDR

Gone

Oh I do miss summer or even just spring. I still have snow in my garden and there is ice on lakes and in the fiord. This is absurdly late, compared to normal winters. You know, it has been snowing for a couple of hours today. So this photo is an archive photo from last summer. I had just got my first full frame DSLR and took it out for a walk down by the fiord, in my hometown Roskilde. I came by this jetty with a pair of shoes on it, but nobody was around… Strange.

About the processing

This is a single exposure RAW file, that I did a minus 2 and plus 2 virtual copies of in Lightroom of. I then exported the three photos to Photomatix. A problem with HDR is that it often gives a grayish color to the sky, which is quite odd, because much of the rest of the image often turns out quite colorful. So I had to go back to the single exposure and process the sky individually, and then merge that into the rest of the image. I had some quite bad noise problems with the shoes, because they were in shadow. But using by some heavy noise reduction both before exporting to Photomatix and later again in Photoshop they ended up quite good.

Late Summer Sunset

Late Summer Sunset

The late summer in Denmark is beautiful. This is after a great barbeque at my Brother in Law. They just bought a farm on a small island.

It’s a 3 shot handheld HDR. Instead of using shutter speed to bracket my three shots, I used the ISO. The brightest one was ISO 6400, which made it a bit hard to work with, due to the noise. I wouldn’t recommend doing ISO bracketing, when the ISO goes that high. I had to do it, because it was hand held and it was too dark to shoot the photo otherwise.

Tip: Pseudo HDR

Pantheon Reflecting the Sun Setting

Pantheon Reflecting the Sun Setting

Pantheon is one of the most beautiful buildings I have seen and I was even rewarded with the most beautiful sunset.

The photo is an old one, shot with my ancient Canon 400D. How to salvage an old photo? I took this photo as a single RAW on my old Canon 400D using a Sigma 10-20mm lens. I didn’t have a tripod, but the light was so gorgeous I just had to shoot the scene. What I did was to stand as still as I could and just fire away 20 shots hoping one would be sharp enough. The ISO I had turned up to 400, which is the highest acceptable ISO on that camera, and I the raised the f-stop to the highest value the lens allowed (lowest number). That gave me a shutter speed of 1/13 seconds, which requires a very steady hand. But I managed.

Tip: Try making Pseudo HDR photos from single exposure RAWs
In the processing had to major issues. I had to get a better balance between light and shadows and to increase the sharpness. To get better balance between the shadows and the light areas, I made a Pseudo HDR photo. To do that I made in Lightroom two artificial exposures by making virtual copies. One I made a -2 and the other I made +2. These to exposures I gave some strong noise reduction, and then I exported all three to Photomatix and tone mapped them. The result was awesome. Not as good as if I had shot three proper bracketed shots, but good enough.

The sharpness I achieved by duplicating the layer in Photoshop and then applying a fairly strong Unsharp Mask (really a bad name for a sharpening rool). That did some really good things to the roof of the Pantheon. I blended in the good parts of the sharpened image – the rest I didn’t use.

The Frozen Setting Sun

The Frozen Setting Sun

The sun right into the camera? 9 exposures with 1 EV step between each. I was just on a small business trip to New York. I managed to get time to go to B&H and get myself a Promote control. For some reason I can’t buy that in Denmark. The Promote control should be a tool in every HDR photographers backpack.

The Promote control allows (through a cabel) to take as many HDR photos you like. I can then take 9 HDR photos automatically with my Nikon D600 (which is normally limited to 3 shots), just as I can with my Nikon D800. But I can also increase the EV step between each shot. The D800 is locked to 1 EV step, which means that if I really wan’t to cover some dynamic range, with the Sun within the frame and dark shadows too, I have to switch to manual. Another nasty side effect of taken 9 bracketed shots with the D800 is the 675 Mb impact on the memory card (ouch!).

With the Promote control I can take what ever number of photos I like with whatever EV step. Now that is cool, and I can’t wait to get it in use for real.

For this shot I didn’t have the Promote Control yet and took all 9 shots of 75 Mb each.

About the processing
I used Photomatix to tone map the image. Afterwards I have spend quite some time in Photoshop blending layers. The sky kept coming out dull and gray from Photomatix, so I had to mix in another sky from one of the original photos, but it was still too flat. So I made a duplicate layer and started playing around with the Red, Green and Blue channels individually in the Hue/Saturation dialog (CTRL + U) untill I got what I wanted. However, that ruined the lower part of the image completely, but that was not problem, I just mixed in the sky with the rest of the image.

Finally I spend quite a lot of time cleaning up small peckles on the ice and the bridge.

Icy Sunset at Veddelev

Icy Sunset at Veddelev

I was a bit surprised still to find the fiord covered with ice at Veddelev, but I took the advantage of it, and got some close up ice shots. This is from the blue hour after sunset.

About the processing
It is 7 exposure HDR, that I merged and tone mapped using HDR Efex Pro 2. I just got a new laptop and didn’t get Photomatix installed, before going on a business trip to the states, which has forced me into using HDR Efex Pro 2 more intensively. I’m quite satisfied with the results I have been getting, though I feel that it is a little less flexible, compared to Photomatix. While doing realistic HDR photos, it does give quite nice results.

Afterwards I did some Photoshopping. This time I didn’t blend the tone mapped image with the original images. The result from HDR Efex Pro 2 was satisfactory enough. I used a filter in Topaz, just to nudge and pop the colors and details tiny bit. I then used a soft light layer to accentuate various parts to lighten and darken various parts of the photo, by hand painting. FinallyI did some cleanup in the photo.

Sunset over field

Sunset over field

A couple of weeks before the harvest, the fields looks lovely.

This is an HDR made of three shots (-2, 0 and +2). I took this handheld, because I didn’t have my tripod. To keep the shutter speed fast on all three shots, I raised the ISO to 1000, but kept the f-stop in the higher middle area, at f/13. I kept the f-stop this high to have everything sharp. The shutter speed for the 0 exposure was 1/250 sec. I had to try a couple of times to make sure I got a set, that didn’t have a shaken +2. Processingwise I used Photomatix to get my HDR. I got a nasty gray sky because I had no clouds in the sky, a bad side effect from making HDRs. In my HDR tutorial you can see how to handle a gray sky. When done in Photoshop I took the image back into Lightroom, where I raised the clarity and contrast a bit, did a little adjustments to the saturation of specific colors and finally added vignetting.

Pink Clouds over Lake Tekapo


Lake Tekapo in New Zealand can be very windy, which was the case this evening. The day after the surface of the lake was like glass. On the left lies Mount John covered in trees. On the the top there is an observatory and a cafe. The cafe makes really good coffee and the cakes are worth the strain to get to the top of the mountain, just as the view is very rewarding.

This is a 5 shot HDR. I tone mapped it in Photomatix and then I blended the five original shots into the tone mapped image, by using Photoshop. There is no part I have blended in 100%. The sky is blended in various degrees with the 0 and minus 1 exposure. The same goes with the rocks. The trees on the left is more or less the clean tone mapped version. In the end I used a Topaz adjust filter to add a little warmth and sharpness to the photo. This step I could have done by using adjustment layers, and Unsharp Mask in Photoshop as well.

Finally I took it into Light room and did a few adjustments. The right hand side of the trees was too dark. I added a little light by using the brush tool, and then I added little contrast global contrast.

Lighthouse on the edge

Lighthouse on the edgeLeaning against the fence I was just able to capture all of the light house, thanks to my 14mm lens. I made this from one photo. I tonemapped it using Photomatix and did a version in Lightroom as well. Both images I imported into Photoshop. I have used the Lighthouse, as a non HDR version, but the rest as HDR. I hope you like it done in that a bit unusual way.

Data: ISO 400, 14mm, f4, 1/320