Jackpot on an Early Morning in Copenhagen


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These crazy clouds are almost straight out of the camera. This sunrise, is one of the craziest I have ever seen, and the weirdest part, is that I never saw the Sun itself. I saw it shine on the city behind me, but before it got clear of the horizon, it disappeared behind clouds. I shot this photo from Skuespilhuset and it shows Operahuset (The Opera House) in Copenhagen, Denmark. Photo by: Jacob Surland, www.caughtinpixels.com. Licensed Creative Commons, Non-Commercial, no derivatives v4.0.

A wild sunrise at the Opera House of Copenhagen photographed at the very climax of it’s stunning beauty. Processed using Photomatix and Photoshop.

Getting up really early can be hard, but I find that I am often rewarded by unique experiences, worth getting to experience. A particular morning like this morning started with a drizzle. It was close to pitch dark, and pretty overcast when I started out. The first images I shot, I assumed to almost just dark clouds. But as I processed them in Photomatix very interesting colors appeared in the clouds. The first colors of a wild sunrise, already played around in the clouds.

One of the major sites in lies in the heart of Copenhagen. It's called Nyhavn and means New Harbor. This is just before sunrise, before the neon lights are shut off. Photo by: Jacob Surland, www.caughtinpixels.com

I thought it was almost pitch dark when I shot this image of Nyhavn in Copenhagen, but tone mapping provides wonderful surprises, by enhancing even the smallest hints of colors. In this case traces of purple and pink in the clouds.

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Visiting Milan by Accident – and saw One for Greco


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We visited Milan quite by accident. Milan has some pretty awesome things to photograph. I really love these vintage trams. I saw this one on the way back to the hotel. Anyway, how do you get to Milan by accident? Well, we had planned a train trip to Venice, but there was a train strike in Germany, and we had to find other means of transport to get to Venice. As it turned out, plane tickets were insanely expensive to Venice, on the dates that matched our hotel booking. While plane tickets for Milan, on the other hand, were quite cheap. If we stayed for the night on our way to Venice and back again, we got everything included for the same price, as the refunded train tickets.  Photo by: Jacob Surland, www.caughtinpixels.com Licensed creative commons non-commercial v4.0. No derivative Work. Protected by Pixsy.com.

This photo is a ‘pseudo HDR’ photo, which means that I have processed it like an HDR, but only from a single exposure. To get the best result, I prefer to make 2 virtual copies in Lightroom, so that I have a -2, 0 and +2. The lightest one will be very noise, especially because I shot this at ISO 800. I crank up the noise reduction all the way to the top on the light one, and the other ones moderately high.

We visited Milan quite by accident. Milan has some pretty awesome things to photograph. I really love these vintage trams. I saw this one on the way back to the hotel.

But how do you get to Milan by accident? Well, we had planned a train trip to Venice, but there was a train strike in Germany, and we had to find other means of transport to get to Venice. As it turned out, plane tickets were insanely expensive to Venice, on the dates that matched our hotel booking. While plane tickets for Milan, on the other hand, were quite cheap. If we stayed for the night on our way to Venice and back again, we got everything included for the same price, as the refunded train tickets.

Milan turned out to have some pretty awesome places to photograph, like the ‘Galleria Vittorio Emanuele II’ shopping mall. It’s one the oldest shopping malls in the world, and definitely worth a visit! The same goes for the Milan Cathedral.

Palace of the Doge in Venice


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I had to wait quite a while to get a photo of the Palace of the Doge in Venice without too many people. And using a fairly long exposure, I have been able to merge several photos and get rid of the few people there. Photo by: Jacob Surland, www.caughtinpixels.com

The Palace of the Doge in Venice is a master piece in detailed architecture. This photo is a 5 shot HDR made using Photomatix Pro.

I had to wait quite a while to get a photo of the Palace of the Doge in Venice without too many people. And by using a fairly long exposure, I have been able to merge several photos and get rid of the few people there. A family kept standing watching the beautiful clouds, shooting photos of each other. And when they finally moved on, another group stopped.

Two principles are good for getting rid of people. One is shoot several shots, and waiting long enough for people to move between the shots. The second principle is to have long exposure times of 5-10 seconds at least, which will make people almost disappear. My longest exposure was 10 seconds.

Even if I had got rid of most people, I still had a lot of cloning to do. No less than 11 dustbins where within the frame.

Buying guide for Neutral Density filters or ND filters


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A longexposure of a sunset shot from London Tower Bridge, on a late summerday. Photo by: Jacob Surland, www.caughtinpixels.com

“Thames Sunset” shot with a 10 stop ND filter allowing to exposure for 40 seconds with the Sun within the frame.

Using Neutral Density filters can make a dramatic change to your photos. The photo above is a 40-second exposure, which only is possible with something to stop down the light. The Sun is within the frame and had I shot without the filter, the shutter speed would have been 1/25 seconds. I shot this at ISO 100 and f/8. I could have gone to ISO 50 and to F/22, and changed the shutter speed to maybe around a 1/4 or 1/2 seconds, but not 40 seconds.

ND filters are pretty expensive stuff, and I have ended up spending a fortune on them, not only because I have a fairly complete set, but also because I have made some mistakes. Expensive mistakes, that is. In this buying guide, I will try guide you not to make the same mistakes.

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How to use ND filters in Long exposure photography


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Chateau Queras is placed like the old fortress it is, to guard the entrance to Queras, a beautiful area in the French. Quite a gem really, full of beautiful places and then this beautiful old castle. Photo by: Jacob Surland, www.caughtinpixels.com

Chateau Queyras in the French Alps looks fantastic lit up in the night. This is a long exposure of no less than 370 seconds.

Long Exposure Photography is fascinating. By changing the exposure time, you achieve dramatic changes in the final result. The two photos featured in this post, are shot within a 25 minutes of each other. The first one is a long exposure og 370 seconds, and the second is a normal exposure of 0,5 seconds. Even if the images are processed different, you can easily tell the difference, if you look at the clouds.

When I went on photo workshop in the French Alps, I also got the chance to shoot the beautiful Chateau Queyras. If you walk up the mountain across the castle, you get a fantastic view of the castle. Photo by: Jacob Surland, www.caughtinpixels.com

This is a normal exposure shot 25 minutes earlier than the first one. It is only 0,5 seconds, and is processed as an HDR image.

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Are you an artist or photographer?


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Armenia is one the Worlds small hidden gems if you ask me. The country is very small but has a grand history. Not only can they credit themselves for being the first nation in the world, to be Christian, and having invented Red Wine, but they also invented the Color television. Not bad for a small Country. This is the Monastery of Haghpat. Photo by: Jacob Surland, www.caughtinpixels.com

The Monastery of Haghpat is a UNESCO World Heritage site in Armenia worth a visit.

Over the past six months, I have thought a lot about, what it is that I do with my photography. What is it I like to do? And what I don’t like to do? My available time for photography is limited, and I want to spend my time on the right things.

I have to admit, that I love the post-processing much more than the actual shooting of the photos. And when I shoot, I am looking forward to the post-processing. This has become more and more clear to me. A logical consequence of that is that I put time into learning new and interesting post-processing techniques, and combining them in new ways.

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How to make something out of nothing


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Birds flee from the Church of Hallgrim. In Danish Hallgrim means 'half ugly', hopefully, that's not why the bird flees. The Church is named after a poet from the 17th century, and perhaps he should be happy, that he wasn't completely ugly, but only half ugly. Photo by: Jacob Surland, www.caughtinpixels.com

 Birds flee from the Church of Hallgrim. In Danish Hallgrim means ‘half ugly’, hopefully, that’s not why the bird flees. The Church is named after a poet from the 17th century, and perhaps he should be happy, that he wasn’t completely ugly, but only half ugly.

I have a bunch of photos in my library, from great locations around the world, but because the light wasn’t right, I have to add something, to make it into something. This image is an example from Hallgrims Church in Reykjavik in Iceland. A fantastic and beautiful modern church. I shot the photo on a gray and rainy day. The sky was gray as it gets as you can see in the original unprocessed image:

Hallgrims church

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How to remove grafitty from a wall


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The Old Observatory at Brorfelde in Denmark sitting in the sunset on an early spring evening. Looks like it's going to be a night, worth watching the stars. Photo by: Jacob Surland, www.caughtinpixels.com

I shot this the other day, while waiting for my son while he is at music training. I have 40 minutes, and this time of year, it fits with the Sunset.

Brorfelde is an old observatory, that I have wanted to see for a while. When I got there, all of the trees had just been cut down, and the ground was all tractor wheels and ruble. Not exactly a great ground for photography. But I tried to clone out the worst of the tracks, and then I darkened the ground quite a bit.

My goal with this one, was to make a fairly classic sunset photo, with the two observatory buildings leading to the sun. I captured a couple of people riding the horizon. These I left in the image, though they would be easy to clone out, because they add value to the image.

Interesting trick used

The wall on the nearest observatory building is full of grafitty. To get rid of it, I duplicated the layer, blurred the top one, just enough to make the writings disappear. Then I took a texture of a wall, used overlay blend mode and painted that gently on top of the wall, and then the wall still has it’s color from rust and the light, but also new texture.

This is the grafitty – to particularly pretty. Notice the rust on the wall.

Brorfelde grafitty

First thing I did was to duplicate the layer, and then blur using Gaussian Blur in Photoshop. I blurred just enough to make the grafitty unreadable. I then added a black layer mask to the blurred layer and painted the blurred layer on in, wherever the grafitty was.

 

Brorfelde grafitty gone

I then found a texture of a wall and by using the feature ‘Blend mode’ in Photoshop. I can add back some texture to the wall while I still keep the colors of the original wall. Notice the rust is still there.

Brorfelde grafitty new texture

 

I did it by changing the blend mode on the layer with the texture. I added a layer mask to that layer too and painted in the texture where ever I had painted in the blurred layer. The blurred wall, now receives texture but keeping its colors. There are a number of different Blend modes, i just tried all of them, and picked the one, I found best for the purpose. In this case, it was Pin Light.

Brorfelde grafitty new texture how

Thoughts on finding your own style


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The Japanese Tower in the Tivoli Gardens is the home of a Sushi restaurant. As a lover of Sushi, I frequent this place, whenever budget and time allows it. It has a very special place in my heart, as it has been used for several celebrations. Photo by: Jacob Surland, www.caughtinpixels.com

As an Apprentice of The Arcanum we get presented all sorts of tasks and exercises, on our journey to become better artists. At my current level, I have to focus more on what is “me” and “my” art in what I do.

Even before I got the assignment from my Master Robin Griggs Woods, I had started down the road of ‘who am I’? It’s not as easy as you might think, realizing who you are, and what you do, which is uniquely you.

Truth is, that I find myself most creative, when I am sitting in front of Lightroom and Photoshop, not when I am out shooting photos. I get ideas on processing techniques, combining techniques in new ways, trying out all sorts of things. Some photos are fairly straightforward, while others are much more time-consuming, and require that I used my creativity.

Some of my photos, I spend weeks, months, even years before I get the final idea. The images may pop in my head, and then I think of ways to process them for a while. Forget about them, and then come to think about them again. Try some stuff, it might not work, and I shelve the photo again for a while. And then suddenly one day, I have the idea. This photo stars above London is a great example of this process. It took me months and many failed attempts before I finally made something I was happy with.

London City Hall with the London Tower Bridge just after midnight. Only a few people hovers around the area. The stars are peaking out from the skies. Photo by: Jacob Surland, www.caughtinpixels.com

What I have come to realize is, that I see a difference in ‘just’ processing a photo, into something nice. The other day I processed two nice photos from London, but I didn’t get the kick out of, that I wanted. I thought about it. Why was it, that two perfectly great photos, full of city lights didn’t turn me on? It should be my favorite sort of photos. After thinking about it for a while, I came to the conclusion, that making the photos, only required Craft and Skills, not creativity.

The way I had shot the photos, and the light I had shot them in, didn’t leave much room for processing creatively. And because it was a standard processing technique, I could do in my sleep, it didn’t turn me on.

This fact has changed the way I see myself as a Fine Art photographer. I need room for creativity, in what I do. I get bored by doing the same routine stuff every day.

I have known for quite some time, that I do like to play with the viewers mind. I add elements, enhance elements beyond what is realistic. I may over enhance shadows, add light sources or change colors. This way I can play tricks on the viewers mind. His sub consciousness will detect, that something is not right and some even see what it is. What happens, when I do that, is the image will get an artificial look to it, maybe like a painting or at least border lining to surrealism.

In the photo in the top, of the Japanese Twoer in Tivoli Gardens in Copenhagen, Denmark, I have enhanced the shadows cast by the group of people. The shadows are far stronger than the original photo showed. Another thing I have done is to remove almost all color, in the lower part of the image. There is quite a lot of colored light, and it shows on the ground.

I find these elements very much me, other people may do it too or do similar things, but it is something that I like to do, and that I have found out on my own and integrates into many of my images.

On the London image, I added light beams on top of the London Tower Bridge, even though there are no light beams.

While these small techniques do not dictate a style, they are a part of me and my art. I use them in many different kinds of photos, but they are a part of my images, in general. I have some other techniques, which I also use, to make my own style of photos. It does not necessarily mean that my photos, end up looking the same, because they don’t, but you will find elements in each, that come from the same core.

What I am beginning to realize, is the elements in what I do, that make my photos into ‘my art’, as an expression of me. I like to tease and be surreal, I always loved surreal artists and texts, and, therefore it is a part of the photos that I make.

Mont Saint Michel lonely street at night


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During the day Mont Saint Michel is crowded with people. All most too much. But as the begins to set, people disappear, and when darkness comes to Mont Saint Michel, and the small street lamps are turned on, you can wander around in empty alleys. Photo by: Jacob Surland, www.caughtinpixels.com

During the day, Mont Saint Michel is crowded with people. All most too much. But as the begins to set, people disappear, and when darkness comes to Mont Saint Michel, and the small street lamps are turned on, you can wander around in empty alleys. This street wasn’t quite empty. I triggered the five exposures manually, I can control, when to shoot, and make sure I didn’t shoot with people in the same location, and that way remove them in the post processing. The longest exposure was 8 seconds, which also allows moving people to disappear in the long exposure.